День: 13.10.2015

The capsule couple

Weeks et al. (2001: 107) argue, on the basis of research with a very dif­ferent group of lesbian, gay and bisexually identified women and men in the 1990s, that same-sex relationships contained the potential for creativity and choice. This argument was founded upon the core idea that same-sex relationships had no institutional framework and thus […]

Diluting the Mother-Child Family

Joy McFadden, whose story opens the book, had reorganized her life to better accommodate the growing number of baseball, basketball, and soccer games that occupied a substantial portion of her children’s time. One of the few women to have two children when first interviewed, she preferred to be in the cheering sec­tion at those games […]

The exceptions

It would be very easy to assume that all male sociologists were as obliv­ious as the silverbacks whose autobiographies I have just discussed. This is certainly not the case. The impact of feminism has been notice­able on some men since the early 1970s. As examples, Ronnie Frankenberg, David H. J. Morgan, Robert W. Connell and […]

Rape and the Rape Threat8

I now take a quick detour from Hindi films to representations of rape within a broader cultural milieu, particularly before the transformative moment of the second wave of the Indian women’s movement. Lynn Higgins and Brenda Sil­ver (1991, 2-3) note that representations of rape in myths and literary texts are at once a structuring device […]

Silverbacks across cultures

126 ——————————————————————————————- American male sociologists were chosen for this exercise only because they had made their published autobiographical narratives available. American silverbacks are no different from their peers in other cultures. There are parallel findings from other advanced societies. The autobio­graphical essays by two major male figures in British sociology, Halsey (1985) and Willmott (1985) […]

Reverence for Victims

Shakti Samanta’s Aradhana, faithful to the tradition of the maternal melo­drama, is a narrative of excess: a woman’s acute suffering, her sacrifices, and— a favourite theme in Hindi cinema—her intense love for her son. The film begins with passionate arguments in court, where the female protagonist, Vandana (Sharmila Tagore), is on trial. As the credits […]