Рубрика: ARLIE RUSSELL HOCHSCHILD

THE NO-NEEDS MODERN

At the other end oi the spectrum we find a moment from Colette Dowling’s The Cinderella Complex: Powerful emotional experiences await those who are really living out their own scripts. A Chicago woman in her early forties who still lives with and loves her husband is also intensely involved with a man she works with. […]

THE NO-NEEDS MODERN

At the other end oi the spectrum we find a moment from Colette Dowling’s The Cinderella Complex: Powerful emotional experiences await those who are really living out their own scripts. A Chicago woman in her early forties who still lives with and loves her husband is also intensely involved with a man she works with. […]

DOORWAY DRAMA

We can draw one set of magnified moments from Marabel Morgan’s The Total Woman (1973), an arch-reactionary traditional book (covertly addressed to modern readers) that is curiously warm. We can draw a very different set from Colette Dowling’s The Cinderella Complex (1981), a mod­ern advice book that is curiously cool. From The Total Woman: If […]

DOORWAY DRAMA

We can draw one set of magnified moments from Marabel Morgan’s The Total Woman (1973), an arch-reactionary traditional book (covertly addressed to modern readers) that is curiously warm. We can draw a very different set from Colette Dowling’s The Cinderella Complex (1981), a mod­ern advice book that is curiously cool. From The Total Woman: If […]