Рубрика: Narcissism and Its Discontents

From role to ritual

Alongside the figure of the craftsman, Sennett also values the figure of the actor for his capacity to self-distance. Predictably enough, however, because late modernity is marked by a ‘contempt’ for the masks of ritual, the modern social actor is an actor deprived of his art (1993 [1974], 15). Whereas the actor of Sennett’s praise […]

Craft and the city

This is a good moment to revisit Sennett’s reading of contemporary ‘Destructive Gemeinschaft’. We recall Sennett’s argument that the myth of Gemeinschaft, confected as the moral consolation of open and hon­est intersubjectivity, contributes to the alienating economic order of late capitalism. Not only does the ‘authentic self’ become an exchangeable commodity, but the myth of […]

The therapist as moral mask

In starting from the premise that our theoretical and practical moral lan­guage is in ‘a state of grave disorder’, MacIntyre presupposes a culture of general decline (2). Ours’ is a culture, he claims, in which ‘[t]here seems to be no rational way of securing moral agreement’; it is a specifically ’emotivist’ culture where ‘all evaluative […]

Cultural Narcissism — Some Examples from Anglo-American Sociology

In 1920, facilitated by his nephew and would-be American emissary Edward Bernays, Freud was in liaison with Cosmopolitan magazine regarding the commission of a series of popular articles on psychoanal­ysis. Freud proposed to write on the topic of not using psychoanalysis in polemics. However, when the editors suggested that, given the taste of the general […]

Sociological transference

We recall from above how Freud punctured a culturally optimistic narra­tive concerning nostalgia, namely, that the spatial estrangements which give rise to homesickness would be vanquished by the Gesellschaft conditions of technologically advanced societies. According to Freud, the technological innovations which facilitate our homeward jour­ney, or connect us to home, are the very same ‘advances’ […]